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GIF animation of an Apollonian sphere packing with transparent background. Transparency in computer graphics is possible in a number of file formats.The term "transparency" is used in various ways by different people, but at its simplest there is "full transparency" i.e. something that is completely invisible.
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Mourning portrait of K. Horvath-Stansith, née Kiss, artist unknown, 1680s A Child of the Honigh Family on its Deathbed, by an unknown painter, 1675-1700. A mourning portrait or deathbed portrait is a portrait of a person who has recently died, usually shown on their deathbed, or lying in repose, displayed for mourners.
The death mask of 18th century sailor Richard Parker Golden funeral mask of Tutankhamun Posthumous portrait bust of Henry VII of England by Pietro Torrigiano, supposedly made using his death mask. A death mask is a likeness (typically in wax or plaster cast) of a person's face after their death, usually made by taking a cast or impression from ...
There is an enormous diversity of funeral art from traditional societies across the world, much of it in perishable materials, and some is mentioned elsewhere in the article. In traditional African societies, masks often have a specific association with death, and some types may be worn mainly or exclusively for funeral ceremonies. [90]
Funeral of a Mummy on the Nile (also known as Funeral of a Mummy, French: Les Funérailles d'une momie) is an oil on canvas painting by American artist Frederick Arthur Bridgman. It was painted between 1876 and 1877 and is considered his most acclaimed painting. Since 1990, it has been exhibited in Louisville, Kentucky, at the Speed Art Museum.
A public memorial service for Michael Jackson was held on July 7, 2009, at the Staples Center in Los Angeles, California, twelve days after his death.The event was preceded by a private family service at Forest Lawn Memorial Park's Hall of Liberty in Hollywood Hills, and followed by a gathering in Beverly Hills for Jackson's family and close friends.
Funeral Procession was painted around 1950 by Hunter. [1] In 2013, the piece was included in the Savannah College of Art and Design's exhibit,“Rehearsals: The Practice and Influence of Sound and Movement," for the painting's connection to the African American tradition of musical celebrations for the dead. [2]