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For example, to make a 12 note chromatic scale in Pythagorean tuning close at the octave, one of the fifth intervals must be lowered ("out-of-tune") by the Pythagorean comma; this altered fifth is called a "wolf fifth" because it sounds similar to a fifth in its interval size and seems like an out-of-tune fifth, but is actually a diminished ...
Werckmeister temperaments are the tuning systems described by Andreas Werckmeister in his writings. [1] [2] [3] The tuning systems are numbered in two different ways: The first refers to the order in which they were presented as "good temperaments" in Werckmeister's 1691 treatise, the second to their labelling on his monochord.
Linda Ronstadt - What's New (1983) [2] Dakota Staton; Marlena Studer; Aretha Franklin (1969) on her Soul '69 LP. [3] Gal Costa recorded a Portuguese version, "Louca Me Chamam" included in "Caras E Bocas" album, 1977, with lyrics by Augusto De Campos. As "Crazy She Calls Me", it has also been recorded by: Nat King Cole; Tony Bennett; Sam Cooke ...
A Pythagorean tuning is technically both a type of just intonation and a zero-comma meantone tuning, in which the frequency ratios of the notes are all derived from the number ratio 3:2. Using this approach for example, the 12 notes of the Western chromatic scale would be tuned to the following ratios: 1:1, 256:243, 9:8, 32:27, 81:64, 4:3, 729: ...
Volume 30; Tune Index, Part 2: "The Happy Organ" – "Pentatitus" (2002) ISBN 1-881993-29-9 OCLC 163238603, 174711205: Volume 31; Tune Index, Part 3: "Pentatonia" – "ZZ's Blues" (2002) ISBN 1-881993-30-2 OCLC 163238612: Volume 32; Addendum Vol. 1: A – Lucien Barbarin (2003) ISBN 1-881993-31-0 OCLC 163147004, 314179184: Volume 33; Addendum ...
For example, 2:1 (Play ⓘ), 4:3 (Play ⓘ), 9:8 (Play ⓘ), 65536:59049 (Play ⓘ), etc. Consonance and dissonance may more subtly be defined by limit, wherein the ratios whose limit, which includes its integer multiples, is lower are generally more consonant. For example, the 3-limit 128:81 (Play ⓘ) and the 7-limit 14:9 (Play ⓘ). Despite ...
5-limit Tonnetz. Five-limit tuning, 5-limit tuning, or 5-prime-limit tuning (not to be confused with 5-odd-limit tuning), is any system for tuning a musical instrument that obtains the frequency of each note by multiplying the frequency of a given reference note (the base note) by products of integer powers of 2, 3, or 5 (prime numbers limited to 5 or lower), such as 2 −3 ·3 1 ·5 1 = 15/8.
This list is of songs that have been interpolated by other songs. Songs that are cover versions, parodies, or use samples of other songs are not "interpolations". The list is organized under the name of the artist whose song is interpolated followed by the title of the song, and then the interpolating artist and their song.