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Rohini (रोहिणी) is the goddess of stars in Hinduism [1] and the favorite consort of Chandra, the moon god. She is one of the 27 daughters of the prajapati Daksha and his wife Asikni . As "the red goddess" (also known as Rohini Devi ), she is the personification of the orange-red star Aldebaran , the brightest star in the Taurus ...
Rohini gives birth to Balarama. [5] Krishna, the eighth child of Devaki, was exchanged with the daughter of Nanda and Yashoda in secrecy. Yashoda (foster-mother of Krishna) and Rohini play an important nurturing Krishna and Balarama in their childhood. [5] After Vasudeva is freed by Krishna and Balarama, Rohini gives birth to a daughter ...
Each Nakshatra is also divided into quarters or padas of 3°20’, and the below table lists the appropriate starting sound to name the child. The 27 nakshatras, each with 4 padas, give 108, which is the number of beads in a Japa mala, indicating all the elements (ansh) of Vishnu:
The Sanskrit term dhruva nakshatra (ध्रुव नक्षत्र, "polar star") has been used for Pole Star in the Mahabharata, personified as son of Uttānapāda and grandson of Manu, even though Polaris at the likely period of the recension of the text of the Mahabharata was still several degrees away from the celestial pole. [4] [5]
Nakshatra (Sanskrit: नक्षत्रम्, romanized: Nakṣatram) is the term for Lunar mansion in Hindu astrology and Buddhist astrology. A nakshatra is one of 27 (sometimes also 28) sectors along the ecliptic. Their names are related to a prominent star or asterisms in or near the respective sectors.
Dakshayagnam is a 1962 Indian Telugu-language Hindu mythological film, produced and directed by Kadaru Nagabhushanam under the Varalakshmi Pictures banner. It stars N. T. Rama Rao, Devika, S. V. Ranga Rao [1] with music composed by Saluri Hanumantha Rao. This was N. T. Rama Rao's 100th film which was also dubbed in Tamil with the same title.
Yasodha Krishna is a 1975 Indian Telugu-language film directed by C. S. Rao.The film features Baby Sridevi and Baby Rohini portraying young Lord Krishna, with the latter making her on-screen debut as a child artiste at the age of five.
Her story is a reminder that the universal denigration of a group, based on the behaviour of a few, cannot cloud the greatness of the individual. Mandodari defies the stereotype of this racism. She is simple, unswerving, and self-effacing, driven by the light of knowledge which gives meaning to solid materialism in an age that is shrouded by ...