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"Happy Birthday to You", or simply "Happy Birthday", is a song traditionally sung to celebrate a person's birthday. According to the 1998 Guinness World Records , it is the most recognized song in the English language, followed by " For He's a Jolly Good Fellow ".
New Well-Tempered Clavicord for the Piano: piano 1950s 24 sets of preludes and fugues in all major and minor keys, with an additional 25th prelude and fugue (on a theme from ErnÅ‘ Dohnányi) added at the end. Twenty-Four Etudes in All Keys Twelve Master Etudes in Minor Keys, Op. 29 Twenty-Four Variations on the Theme "Happy Birthday" 2 pianos
On a piano, played with the soft pedal depressed Due corde: two strings: On a piano, played with the soft pedal depressed (For why both terms exist, see Piano#Pedals.) Tre corde or tutte le corde: three strings or all the strings: Cancels una corda Glissando: gliding, glossing: A sweeping glide from one pitch to another used for dramatic effect ...
Performance of a piano concerto involves a piano on stage with the orchestra. A piano concerto, a type of concerto, is a solo composition in the classical music genre which is composed for piano accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuosic showpieces which require an advanced level of technique.
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Fernando Sor (baptised 14 February 1778 – 10 July 1839) was a Spanish classical guitarist and composer of the late Classical era and early Romantic era.Best known for writing solo classical guitar music, he also composed an opera (at the age of 19), three symphonies, guitar duos, piano music, songs, a Mass, and at least two successful ballets: Cinderella, which received over one hundred ...
At the age of 5, and without access to a piano, he taught himself musical composition by reading an abridged encyclopedia. [5] He subsequently began formal studies in piano with Mark Sullivan and in composition with Michael Martin (1997–2001). Armstrong has always pursued music and academic education in parallel.
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