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"Body Language" is notable for its near lack of guitar; atmospheric guitar chords sparingly dot the body of the song, while a brief two-note riff is heard during the fade out. The song's key feature was its minimal, sparse production, with the emphasis of "suggestive" lyrics, a "slinky" synth bass (played on an Oberheim OB-X ), and writer ...
Love finished writing "Violet" at St. Andrew's Hall in Detroit in 1991. Courtney Love began writing "Violet" in mid-1991, during a Hole tour before the release of the band's debut album, Pretty on the Inside; "Violet" lyrics appear on a flyer designed by Love to advertise a show at Jabberjaw, a rock club in Los Angeles, on August 7, 1991; [7] she stated that she partly wrote the song at ...
The song was released on March 4, 2022, [1] as the second single from Blanca's third studio album, The Heartbreak and the Healing (2022). [2] "The Healing" impacted Christian radio in the United States on April 1, 2022. [3] The song was written by Anton Göransson, Blanca Reyes, Dante Bowe, and Isabella Sjosstrand. [4] Anton Göransson produced ...
The song debuted on the Billboard Hot 100 chart of September 19, 2009, at number 84. [2] On October 24, 2009, the song re-entered at number 71, and eventually peaked at number 35 on the chart. [3]
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
"Body Language" is a song by American hip hop recording artist Kid Ink. The song was released on September 9, 2014 by Tha Alumni Music Group, 88 Classic and RCA Records , as the lead single from his third studio album Full Speed (2015).
Body Language was originally formed by Young and Wheeler when they started making dance music and remixes for a weekly party they curated at a bar called Vegas Blvd in Hartford. Soon they began to incorporate vocals from Bess and the original trio was formed. Subsequently, they moved to the neighborhood of Bedford Stuyvesant in Brooklyn, New York.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).