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File: Pablo Picasso, 1906, Femme se coiffant (Woman Combing her Hair), crayon, charcoal on paper.jpg
An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891 The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
Many contemporary Chinese women artists have employed the use of female bodies as the subject of their artworks. From the ancient and imperial period of China until early the 19th century, women's body images in Chinese art were predominantly portrayed through male artists' lenses. As a result, female bodies were often misrepresented.
File: Pablo Picasso, 1904, Woman with a Helmet of Hair, gouache on tan wood pulp board, 42.7 x 31.3 cm, Art Institute of Chicago.jpg
A later popular woman's hairstyle is one inspired by the Roman Empress, Faustina I, with longer strands at the middle of the scalp drawn back into twists or plaits that were then wound into a tutulus at the crown of the head. Central-parted hair-knots at the back of the neck were common later in the same period.
A Feminist Perspective on Art and Pornography", she discusses multiple ways in which the art of the female nude objectifies women. She considers how male nudes are both less common and represented as active and heroic, whereas female nudes are significantly more prevalent and represent women as passive, vulnerable, sexual objects. [ 70 ]
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A woman's hairstyle expressed her individuality in the ancient Roman World. How one dressed one's hair was an indication of a person's status and role in society. Hair was a very erotic area of the female body for the Romans, and attractiveness of a woman was tied to the presentation of her hair.