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In relation to foreshadowing, the literary critic Gary Morson describes its opposite, sideshadowing. [11] Found notably in the epic novels of Leo Tolstoy and Fyodor Dostoevsky, sideshadowing is the practice of including scenes that turn out to have no relevance to the plot. That, according to Morson, increases the verisimilitude of the fiction ...
Gary Saul Morson (born April 19, 1948) [1] is an American literary critic and Slavist. He is particularly known for his scholarly work on the great Russian novelists Leo Tolstoy and Fyodor Dostoevsky, and the literary theorist Mikhail Bakhtin. Morson is Lawrence B. Dumas Professor of the Arts and Humanities at Northwestern University.
The Slavic studies scholar Gary Saul Morson has written in Commentary that Pevear and Volokhonsky translations "take glorious works and reduce them to awkward and unsightly muddles". [18] Criticism has been focused on the excessive literalness of the couple's translations and the perception that they miss the original tone of the authors. [18]
Perrault's French fairy tales, for example, were collected more than a century before the Grimms' and provide a more complex view of womanhood. But as the most popular, and the most riffed-on, the Grimms' are worth analyzing, especially because today's women writers are directly confronting the stifling brand of femininity
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Telegraphing is often compared to foreshadowing [4] as a way to reveal incoming plot and make the listener form expectations. [5] While foreshadowing doesn't necessarily reveal that the introduced element will play a role later, telegraphing conveys information to spectators about how the plot will develop. [ 6 ]
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The American literary critic Gary Saul Morson has written extensively on the topic: [2] In texts of this type, each voice may be taken to be parodic of the other; readers are invited to entertain each of the resulting contradictory interpretations in potentially endless succession.