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"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
"No Self Control" is a song written and performed by the English rock musician Peter Gabriel. It was released in 1980 as the second single released from his third self-titled album and peaked at number 33 in the UK. The first 30,000 copies of the single were distributed in picture sleeves. [4]
When the self becomes conscious of its significance, it moves one step further to the stage of awakening of the self. In Iqbal’s poetry, awakening of the self is characterized by burning the passion of desire and the creation of ideals. Purpose and desire are seminal for the growth of the self towards actualization and realization.
"Solsbury Hill" is the debut solo single by English rock musician Peter Gabriel. He wrote the song about a spiritual experience atop Solsbury Hill in Somerset, England, [5] [2] [6] after his departure from the progressive rock band Genesis, of which he had been the lead vocalist since its inception.
The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
Like many of Eliot's poems, "The Love Song of J. Alfred Prufrock" makes numerous allusions to other works, which are often symbolic themselves. In "Time for all the works and days of hands" (29) Works and Days is the title of a long poem – a description of agricultural life and a call to toil – by the early Greek poet Hesiod .
[The poem] exemplifies better than anything else [Dickinson] wrote the special quality of her mind ... If the word great means anything in poetry, this poem is one of the greatest in the English language; it is flawless to the last detail. The rhythm charges with movement the pattern of suspended action back of the poem.
The poem cites Quetzalcoatl's "cyclical shedding of skin as a dominant motif to represent the rebirth and renewal of spiritual and material forces. The undulating movement of the snake connotes the eternal presence of circulation and energy throughout the physical world, including humanity."