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The decibel originates from methods used to quantify signal loss in telegraph and telephone circuits. Until the mid-1920s, the unit for loss was miles of standard cable (MSC). 1 MSC corresponded to the loss of power over one mile (approximately 1.6 km) of standard telephone cable at a frequency of 5000 radians per second (795.8 Hz), and matched closely the smallest attenuation detectable to a ...
Most modern quality amplifiers have >110 dB dynamic range, [7] which approaches that of the human ear, usually taken as around 130 dB. See Programme levels. Phase distortion, Group delay, and Phase delay A perfect audio component will maintain the phase coherency of a signal over the full range of frequencies. Phase distortion can be extremely ...
A ratio higher than 1:1 (greater than 0 dB) indicates more signal than noise. SNR is an important parameter that affects the performance and quality of systems that process or transmit signals, such as communication systems, audio systems, radar systems, imaging systems, and data acquisition systems. A high SNR means that the signal is clear ...
In consumer audio electronics, the level differences are called "intensity" differences, but sound intensity is a specifically defined quantity and cannot be sensed by a simple microphone. Sound intensity level is a logarithmic expression of sound intensity relative to a reference intensity.
The electric field strength at a specific point can be determined from the power delivered to the transmitting antenna, its geometry and radiation resistance. Consider the case of a center-fed half-wave dipole antenna in free space , where the total length L is equal to one half wavelength (λ/2).
Transmission loss may refer to a more specific concept in one of the fields below: Transmission loss in electrical engineering describes the decrease of electrical power along an electrical cable. The term has its origins in telephony. Transmission loss in duct acoustics describes the acoustic performances of a muffler like system.
A scientist who works in the field of acoustics is an acoustician, while someone working in the field of acoustical engineering may be called an acoustical engineer. [3] An audio engineer, on the other hand, is concerned with the recording, manipulation, mixing, and reproduction of sound.
While 1 atm (194 dB peak or 191 dB SPL) [11] [12] is the largest pressure variation an undistorted sound wave can have in Earth's atmosphere (i. e., if the thermodynamic properties of the air are disregarded; in reality, the sound waves become progressively non-linear starting over 150 dB), larger sound waves can be present in other atmospheres ...