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Lorenzo Ghiberti (UK: / ɡ ɪ ˈ b ɛər t i /, US: / ɡ iː ˈ-/, [1] [2] [3] Italian: [loˈrɛntso ɡiˈbɛrti]; 1378 – 1 December 1455), born Lorenzo di Bartolo, was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptistery, the later one called by Michelangelo the Gates of Paradise.
Dress also evolves from Abraham and Isaac’s plain robes to the ornately detailed clothing of Solomon and Sheba. [57] Work on the doors lasted from 1429 until 1447 and involved a large workshop that included Ghiberti’s sons Vittorio and Tommaso, Benozzo Gozzoli, Luca della Robbia, Michelozzo, and Donatello.
Ghiberti's Binding of Isaac. In 1401 the Arte di Calimala, responsible for the Baptistery of Saint John, announced a competition to create the north doors, sixty-five years after the completion of the first doors, the east (now south) doors by Andrea Pisano.
English: Lorenzo Ghiberti, The Sacrifice of Isaac, gilded bronze relief, 1401-2, 45 x 38 cm, competition piece for the second bronze doors of the Baptistry San Giovanni, Florence, Bargello (1879, from the Medici-Granducal Coll., inv. Br 203)
Lorenzo Ghiberti's Sacrifice of Isaac, modello for the Florence Baptistery doors. There is a good selection of medieval sculpture. The museum has both the modelli of the finalists' designs for The Sacrifice of Isaac (Sacrificio di Isacco), for the contest for the second set of doors of the Florence Baptistery in 1400.
Among the most famous works of art employing the barbed quatrefoil are the bronze panels on the south doors of the Florence Baptistery (1330–36) by Andrea Pisano, the bronze panels of the north doors of the Florence Baptistery by Lorenzo Ghiberti, Filippo Brunelleschi's competition entry for the same doors (The Sacrifice of Isaac), as well as ...
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Ghiberti's Isaac was an idealized nude, with "the suggestion of a touchingly mute and child-like heroism in the face of inexplicable doom", [141] also described as "the first truly Renaissance nude figure; in it naturalism and classicism are blended and sublimated by a new vision of what a human being can be". [142]