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Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues musician and songwriter. His singing, guitar playing and songwriting on his landmark 1936 and 1937 recordings have influenced later generations of musicians.
1928 Gibson L-1 Kalamazoo KG-14. Robert Johnson played various guitars, produced in the 1920s and 1930s. The guitar he is holding in the studio portrait, where he's dressed in a suit, is a Gibson Guitar Corporation model L-1 flat top, which was a small body acoustic produced between 1926 and 1937.
Isaiah "Ike" Zimmerman (April 27, 1907 – August 3, 1967) was an American blues guitarist, who is now known to have been musician Robert Johnson's main guitar teacher. Zimmerman [ n. 1 ] (sometimes spelled Zinnerman) was born in Grady, Alabama .
Robert A. Johnson (born in the 1950s) is a rock, pop, and blues guitarist based in Memphis, Tennessee who is best known for his work in the late 1970s. [1] He is usually known professionally simply as "Robert Johnson." Early in his career Johnson played in bands with Jack Holder and Greg Reding, who later became members of Black Oak Arkansas.
Label of Johnson's "Terraplane Blues" on Vocalion Records, his first and most successful single. American blues musician Robert Johnson (1911–1938) recorded 29 songs during his brief career. A total of 59 performances, including alternate takes, were recorded over a period of five days at two makeshift recording studios in Texas.
Robert Michael Leonard Johnson (18 March 1944 – 15 December 2023) was a British guitarist, singer and songwriter. He was a member of the British folk rock band Steeleye Span from 1972 to 1977, and again from 1980 to 2001.
Robert Johnson's Tombstone is the eighth studio album by English hard rock band Thunder. Recorded at Chapel Studios in South Thoresby , Chez Bez and Tackle Out Studios in London , and the El Relaxo villa in Mijas , Spain , it was produced by the band's lead guitarist Luke Morley .
Johnson's emotive vocals, combined with his varied and masterful guitar playing, continue to influence modern blues and popular music performers. The Chicago Tribune ' s Greg Kot wrote that The Complete Recordings, along with Clapton's The Layla Sessions (1990), survive as "monuments of 20th Century music that will rarely, if ever, be equaled ...