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In Balangaw, the instrument is called dad-ayu. In Bontoc, it is known as diwdiw-as. In Tingguian, dwdew-as. In Kankanai, diwas. [4] In these variations, the number of pipes ranges from five to eight. The size, length, and radius of the instruments vary from one ethnic group to another, but exact measurements are not required.
"Philippine Music Instruments". National Commission for Culture and the Arts. Archived from the original on December 1, 2008; Manuel, E. Arsenio (1978). "Towards an Inventory of Philippine Musical Instruments: A Checklist of the Heritage from Twenty-three Ethnolinguistic Groups" (PDF). Asian Studies.
Xylophone-like instrument with gourd resonators, struck with mallets, with a two level keyboard so it can play the full chromatic scale: 111.222-4 Hawaii: ukulele [65] String instrument derived from the Portuguese braguinha, from the Hawaiian uku lele, jumping flea, referring to the swift fingerwork the instrument requires chords on a ukulele ...
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The Acholi instrument is a rectangular instrument, about 51.5 cm (20.25 in) long with seven nylon strings. [43] The instrument has a "bridge" at each end. [43] Images of the modern instrument show that a wood top has been added, converting the trough zither to a box zither. [12] [11] There are at least two pentatonic tunings used by the Acholi ...
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Notes on the Musical Instruments and Agricultural and Other Instruments of the Nepalese, by A. Campbell, Journal of the Asiatic Society of Bengal, Vol. 6 (1837), pp. 953-963. The Grove Dictionary of Musical Instruments is a more comprehensive resource, with many instruments having been documented by ethnomusicologists. Random entries for Nepali ...
Its use goes back at least [citation needed] 1,000 years, and it is still used today for some rituals, such as the omizutori (water drawing) portion of the Shuni-e rites at the Tōdai-ji in Nara. Each Shugendō school has his own conch shell melodies. The hora is especially associated with the Yamabushi, ascetic monks of the Shugendō tradition.