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In the next stage the Yahwistic religion separated itself from its Canaanite heritage, first by rejecting Baal-worship in the 9th century, then through the 8th to 6th centuries with prophetic condemnation of Baal, sun-worship, worship on the "high places", practices pertaining to the dead, and other matters. [85]
Rituals to honor the deceased included offerings of incense, libations, music, the singing of devotional songs, and sometimes trance rituals, oracles, and necromancy. Excavations in Tel Megiddo have offered greater insight into Canaanite funerary practices. A large number of wine vessels have been found in the graves there, as well as vessels ...
As far as the archaeological evidence reveals, the typical ritual at the Tophet – which, however, shows much variation – began by the burial of a small urn containing a child's ashes, sometimes mixed with or replaced by that of an animal, after which a stele, typically dedicated to Baal Hammon and sometimes Tanit was erected.
The Baal Cycle is an Ugaritic text (c. 1500–1300 BCE) about the Canaanite god Baʿal (𐎁𐎓𐎍 lit. "Owner", "Lord"), a storm god associated with fertility . The Baal Cycle consists of six tablets, itemized as KTU 1.1–1.6.
Bennie Reynolds further argues that Jeremiah's use of Moloch in conjunction with Baal in Jer 32:35 is parallel to his use of "burnt offering" and Baal in Jeremiah 19:4–5. [34] The view that Moloch refers to a type of sacrifice was challenged by John Day and George Heider in the 1980s. [35]
The history of religious Jewish music is about the cantorial, synagogal, and the Temple music from Biblical to Modern times. The earliest synagogal music was based on the same system as that used in the Temple in Jerusalem. According to the Mishnah, the regular Temple orchestra consisted of twelve instruments, and the choir of twelve male singers.
The Baal Cycle, the most famous of the Ugaritic texts, [1] displayed in the Louvre. The Ugaritic texts are a corpus of ancient cuneiform texts discovered in 1928 in Ugarit (Ras Shamra) and Ras Ibn Hani in Syria, and written in Ugaritic, an otherwise unknown Northwest Semitic language. Approximately 1,500 texts and fragments have been found to date.
[5] [3] Although 19th century scholar had made some different hypotheses of the nature of this god, he is commonly explained as "Baal of dancing" or "lord of dancing" (Baal is both a noun meaning "lord" and a divine name). [1] [6] [4] The name is believed to correspond with his Greek title κοίρανος κωμων (κῶμοι implies games ...