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Hmong music is an important part of the culture of the Hmong people, an ethnic group from southeast Asia. Because the Hmong language is tonal, there is a close connection between Hmong music and the spoken language. Music is an important part of Hmong life, played for entertainment, for welcoming guests, and at weddings and funerals.
There are only a few language families as of now such as the Solresol language family, Moss language family, and Nibuzigu language family. The Solresol family is a family of a posteriori languages (usually English) where a sequence of 7 notes of the western C-Major scale or the 12 tone chromatic scale are used as phonemes. Domila; Eaiea [1 ...
In the 1920s and 30s, Hawaiian music became an integral part of local tourism, with most hotels and attractions incorporating music in one form or another. Among the earliest and most popular musical attractions was the Kodak Hula Show , sponsored by Kodak , in which a tourist purchased Kodak film and took photographs of dancers and musicians ...
Canntaireachd (Scottish Gaelic for 'chanting'; pronounced [ˈkʰãũn̪ˠt̪ɛɾʲəxk]) is the ancient method of teaching, learning and memorizing Piobaireachd (also spelt Pibroch), a type of music primarily played on the Great Highland bagpipe. In the canntairached method of instruction, the teacher sings or hums the tune to the pupil ...
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The Hawaiian Music Hall of Fame is an organization dedicated to recognizing the cultural importance of the music of Hawaii and hula. Established in 1994, the Hawaiian Music Hall of Fame promotes the appreciation and preservation of Hawaiian culture through educational programs and annual inductions honoring significant individuals, groups ...
An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries.Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work (still frequently seen in Sacred Harp and other types of shape note singing) and still more particularly to a specific form of ...
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).