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James Abbott McNeill Whistler RBA (/ ˈ w ɪ s l ər /; July 10, 1834 – July 17, 1903) was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom.
Whistler sued Ruskin over his criticism of the painting. Butterflies designed for the illustration of the book (c. 1890) The Gentle Art of Making Enemies is a book by the painter James McNeill Whistler, published in London in 1890 by William Heinemann, who also published a second, enlarged edition in 1892. [1]
Sketch by Whistler, showing flowers which were later removed. Princess was painted between 1863 and 1865 by James Abbott McNeill Whistler, with Christine Spartali, the sister of Pre-Raphaelite artist Marie Spartali Stillman, serving as the model; [1] Owen Edwards of Smithsonian Magazine describes Spartali as "an Anglo-Greek beauty whom all the artists of the day were clamoring to paint". [6]
Ethel Whibley (née Philip; 29 September 1861 – 21 April 1920), was the sister-in-law of James McNeill Whistler.Ethel was a secretary to Whistler who used Ethel as a model for a number of full-length portraits painted during the period 1888 to the mid-1890s.
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Completed in 1871, Nocturne: Blue and Silver – Chelsea is a painting by James McNeill Whistler. It is the earliest of the London Nocturnes and was conceived on the same August evening as Variations in Violet and Green. [1] The two paintings were exhibited together at the Dudley Gallery.
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Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle is an 1872–73 oil painting by James McNeill Whistler.It depicts the Scottish essayist, historian and philosopher Thomas Carlyle in a composition similar to that of Whistler's 1871 Arrangement in Grey and Black No. 1: Portrait of the Artist's Mother, commonly known as Whistler's Mother.