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Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo opera or operetta Ballabile: danceable (song) to be danced to Battaglia: battle: An instrumental or vocal piece suggesting a battle Bergamasca ...
French verbs have a large number of simple (one-word) forms. These are composed of two distinct parts: the stem (or root, or radix), which indicates which verb it is, and the ending (inflection), which indicates the verb's tense (imperfect, present, future etc.) and mood and its subject's person (I, you, he/she etc.) and number, though many endings can correspond to multiple tense-mood-subject ...
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Sonata for Alto Saxophone and Piano, Op. 29 (1970)—Robert Muczynski [38] Variations on a Dorian Theme for alto saxophone and piano (1972)—Gordon Jacob; Four Moods for Alto Saxophone and Piano (1975)—Phil Woods; Sonata for Alto Saxophone and Piano (1979)—John Worley; Albanian Summer (1980)—Dave Smith; Divertimento (1982)—Charles ...
Poul Ruders includes a significant solo for the alto saxophone in his orchestral suite Concerto in Pieces. Eric Coates wrote for an alto in his 1936 Saxo-Rhapsody. Claude Debussy features an alto in his Rhapsody for Saxophone and Orchestra. Paul Creston wrote a concerto for the alto, a sonata with piano, and a rapsodie with organ. He also ...
Italian verbs have a high degree of inflection, the majority of which follows one of three common patterns of conjugation. Italian conjugation is affected by mood, person, tense, number, aspect and occasionally gender. The three classes of verbs (patterns of conjugation) are distinguished by the endings of the infinitive form of the verb: 1st ...
In French, the infix -iss-is placed on all indicative present forms, the indicative imperfect, the subjunctive present, and plural imperatives. While there are few non-infixed -īre verbs (also known are pure -īre verbs), in French the infixed verbs are the only regular verbs, otherwise irregular.
In -cer verbs, the c becomes a ç before endings that start with a or o, to indicate that it is still pronounced /s/ (je déplac-e - nous déplaç-ons); similarly, in -ger verbs, the g becomes ge before such endings, to indicate that it is pronounced /ʒ/ (je mang-e - nous mange-ons).