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In the early 1960s, Rauschenberg's Combines sold from $400 to $7,500. [3] In 1999, the Museum of Modern Art, which had balked at buying Rauschenberg's work decades earlier, spent $12 million to buy his Factum II, made in 1957. [14] Rauschenberg's Rebus was valued in 1991 at $7.3 million. [15]
Canyon is a 1959 artwork by American artist Robert Rauschenberg. [1] [2] The piece is one of his most celebrated and best known works, [3] and is one of his Combines. Rauschenberg coined the phrase Combine in 1954 to describe his artworks that incorporate elements of both sculpture and painting.
Monogram is a Combine by American artist Robert Rauschenberg, made between 1955 and 1959. [1] It consists of a stuffed Angora goat with its midsection passing through an automobile tire . [ 2 ] Critic Jorg von Uthmann described it as Rauschenberg's most famous work in the Huffington Post. [ 3 ]
Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. . Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and s
Erased de Kooning Drawing (1953) is an early work of American artist Robert Rauschenberg.This conceptual work presents an almost blank piece of paper in a gilded frame. It was created in 1953 when Rauschenberg erased a drawing he obtained from the abstract expressionist and American artist Willem de Kooning.
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Robert Rauschenberg, whose famous "Combines" reflect the approach he used to create décor for several MCDC's early works, served as the company's resident designer from 1954 through 1964. Jasper Johns followed as Artistic Advisor from 1967 until 1980, and Mark Lancaster from 1980 through 1984.
Reservoir is a 1961 painting by American artist Robert Rauschenberg. [1] The work is one of his Combines, which incorporate both two- and three-dimensional found, non-art materials, using objects Rauschenberg collected from the streets of his lower Manhattan neighborhood. [2]