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The recovery of the ancient texts, both comedies and tragedies, and texts referring to the art of the theatre such as Aristotle's Poetics, also gave a turning point to representational art, which re-enacted the Plautian characters and the heroes of Seneca's tragedies, but also building new texts in the vernacular.
The French records of sixteenth-century Italian farces, for example, were clarified as 'Theatre of the Grotesque', as was the dramatic work of prominent literary figure Victor Hugo. [ 5 ] Italian dramatist and academic Luigi Pirandello was also influential in the solidification of 'Theatre of the Grotesque' as a dramatic movement. [ 3 ]
The Pentad is a simple tool for seeing and understanding the complexity of a situation. It reveals the nuances and complications of language as symbolic action, which in turn, opens up our perspective. [21] Dramatism Pentad. Act: "What", what has done. According to Burke, "the act" of the Pentad is which "names what took place, in thought or ...
It drove artists to look for new approaches and dramatically illuminated scenes, elaborate clothes and compositions, elongated proportions, highly stylized poses, and a lack of clear perspective. Leonardo da Vinci and Michelangelo were each given a commission by Gonfaloniere Piero Soderini to decorate a wall in the Hall of Five Hundred in Florence.
The dramatistic pentad forms the core structure of dramatism, a method for examining motivations that the renowned literary critic Kenneth Burke developed. Dramatism recommends the use of a metalinguistic approach to stories about human action that investigates the roles and uses of five rhetorical elements common to all narratives, each of which is related to a question.
Theatrical styles are influenced by their time and place, artistic and other social structures, and the individual styles of the particular artists. As theater is a mongrel art form, a production may or may not have stylistic integrity with regard to script, acting, direction, design, music, and venue.
Stanislavski considered the Italian tragedian Salvini (pictured as Othello) to be the finest example of the "art of experiencing". [26] Stanislavski's approach seeks to stimulate the will to create afresh and to activate subconscious processes sympathetically and indirectly by means of conscious techniques. [30]
Dramatic theory attempts to form theories about theatre and drama. Drama is defined as a form of art in which a written play is used as basis for a performance. [1]: 63 Dramatic theory is studied as part of theatre studies. [2] Drama creates a sensory impression in its viewers during the performance. This is the main difference from both poetry ...