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The album version of The Sound of Jazz telecast is derived from a rehearsal (recorded on December 4) that preceded the telecast held at Columbia's 30th Street studios) and is not the soundtrack. The album was released by Columbia in 1958. The recording does not include all of the performers present on the telecast (Mulligan refused to ...
The song was famously performed by Billie Holiday in 1957 in a television special, The Sound of Jazz. [3] The line-up included several jazz legends (the first six are listed in the order of their solos): Ben Webster – tenor saxophone; Lester Young – tenor saxophone; Vic Dickenson – trombone; Gerry Mulligan – baritone saxophone
Chamber jazz is a genre of jazz involving small, acoustic-based ensembles where group interplay is important. 1960s -> Continental jazz: Early jazz dance bands of Europe in the swing medium, to the exclusion of Great Britain. Cool jazz: Contrasts with the hard, fast sound of bebop.
Songs from Billie Holiday, John Coltrane and Ella Fitzgerald are among the 25 essential tracks this quintessential American art’s century-long history.
The Shape of Jazz to Come is the third album by the jazz musician Ornette Coleman. Released on Atlantic Records in 1959, it was his debut on the label and his first album featuring the working quartet including himself, trumpeter Don Cherry , bassist Charlie Haden , and drummer Billy Higgins . [ 3 ]
By the mid-1970s, the sound known as jazz-funk had developed, characterized by a strong back beat , electrified sounds [198] and, often, the presence of electronic analog synthesizers. Jazz-funk also draws influences from traditional African music, Afro-Cuban rhythms and Jamaican reggae, notably Kingston bandleader Sonny Bradshaw. Another ...
Stan Getz (born Stanley Gayetski; February 2, 1927 – June 6, 1991) was an American jazz saxophonist.Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young.
It became a jazz classic and a signature song for Coltrane in concert, also appearing on Newport '63 in 1963. [1] In 1964, Jack Jones became the first of many artists to include the song on a Christmas album. [2] In 1965, a popular version of the song performed by Diana Ross and The Supremes was included in the group's album release Merry ...