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Except for the fourth season, where it dropped to number 15, the series stayed in the top 10 for the remainder of its run. The final episode, "Goodbye, Farewell and Amen", became the most-watched show in American television history with 106 million viewers. [7] During its 11-year run M*A*S*H received 14 Emmy Awards. [8]
M*A*S*H (an acronym for Mobile Army Surgical Hospital) is an American war comedy drama television series that aired on CBS from September 17, 1972, to February 28, 1983. It was developed by Larry Gelbart as the first original spin-off series adapted from the 1970 feature film M*A*S*H, which, in turn, was based on Richard Hooker's 1968 novel MASH: A Novel About Three Army Doctors.
The pilot episode briefly shows a photograph of Rogers and Alda. AfterMASH was a successor to the original M*A*S*H television series, featuring Harry Morgan , Jamie Farr , and William Christopher after the war, as the same characters they played in the original television series.
This is the first episode featuring David Ogden Stiers as Maj. Charles Emerson Winchester III. Jim Fritzell and Everett Greenbaum received a Writers Guild Award nomination for this episode. Guest stars Rick Hurst and Robert Symonds (who plays Colonel Horace Baldwin, who sends Winchester from Tokyo to Korea and will play the charactor again, as ...
M*A*S*H television series cast members c. 1974. Back row: Larry Linville, Wayne Rogers, and Gary Burghoff. Front row: Loretta Swit, Alan Alda, and McLean Stevenson This is a list of characters from the M*A*S*H franchise created by Richard Hooker, covering the various fictional characters appearing in the novel MASH: A Novel About Three Army Doctors (1968) and its sequels M*A*S*H Goes to Maine ...
Hawkeye and Trapper invent an imaginary captain to cover their donations to an orphanage. This episode marks the only time the character "Sparky," with whom Radar frequently communicates by phone, is actually seen on screen. He's portrayed by Dennis Fimple. Bruce Shelly and David Ketchum received a Writers Guild Award nomination for this episode.
The majority of this episode happens in real time after Pierce announces a deadline of 20 minutes they have to save a patient from paralysis. An analog clock, established as the clock in the helicopter, is superimposed at the bottom right corner of the screen and a quiet ticking sound is heard throughout. The episode has no laugh track.
Note: This episode was filmed in black and white and was the final episode for series developer Larry Gelbart. Note – Loretta Swit does not appear in this episode. In 1997, TV Guide ranked this episode #80 on its list of the 100 Greatest Episodes. [1