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A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g., "Her eyes were glistening jewels". Metaphor may also be used for any rhetorical figures of speech that achieve their effects
There is idiosyncratic capitalization, especially for nouns. Many of the themes in the poem are created through the initial simile of winter light "that oppresses, like the Heft / Of Cathedral Tunes -" This simile creates a synesthetic effect, mixing sound, sight, and weight. [8] This simile first introduces religious connotations to the poem.
A Dictionary of Similes is a dictionary of similes written by the American writer and newspaperman Frank J. Wilstach. In 1916, Little, Brown and Company in Boston published Wilstach's A Dictionary of Similes, a compilation he had been working on for more than 20 years. It included more than 15,000 examples from more than 800 authors, indexing ...
A simile (/ ˈ s ɪ m əl i /) is a type of figure of speech that directly compares two things. [1] [2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else). However, there are ...
But when I sleep, in dreams they look on thee, And, darkly bright, are bright in dark directed. Then thou, whose shadow shadows doth make bright, How would thy shadow’s form form happy show To the clear day with thy much clearer light, When to unseeing eyes thy shade shines so? How would, I say, mine eyes be blessed made
The light is on but nobody is home; The longest day must have an end; The longest journey starts with a single step; The Moon is made of green cheese; The more the merrier; The more things change, the more they stay the same; The only disability in life is a bad attitude – Scott Hamilton; The only way to understand a woman is to love her
Got your whole life ahead of you, you're only nineteen But I fear that they already got all the best parts of me And I'm sorry that I couldn't always be your teenage dream
For example, Miró's 1925 painting "Photo: This is the Color of My Dreams" has the word "photo" to represent the image of his dreams. This painting comes from a series of paintings called peintures-poésies (paintings-poems) which reflect Miró's interest in dreams and the subconscious [ 38 ] and the relationship of words, images, and thoughts.