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An A-frame ceiling can be open to the top rafters. Although the triangle shape of the A-frame has been present throughout history, it surged in popularity around the world from roughly the mid-1950s through the 1970s. It was during the post–World War II era that the A-frame acquired its most defining characteristics.
Frame is an album by saxophonist and composer Ben Wendel on Sunnyside, released on February 28, 2012. The album features a mix of contemporary styles, with configurations ranging from a duo to a full sextet. Frame was recorded on January 19 and 20, 2011, in Brooklyn, NY. [1]
An A-frame is a basic structure designed to bear a load in a lightweight economical manner. The simplest form of an A-frame is two similarly sized beams , arranged in an angle of 45 degrees or less, attached at the top, like an uppercase letter 'A'.
A Frames were an American experimental rock band formed in Seattle, Washington in 1999. The trio consisted of Erin Sullivan, Min Yee and Lars Finberg. Finberg left the band in 2006 to focus on his other project, The Intelligence, and was replaced by Tommy Northcutt who remained with the band thereafter.
A bent in American English is a transverse rigid frame (or similar structures such as three-hinged arches).Historically, bents were a common way of making a timber frame; they are still often used for such, and are also seen in small steel-frame buildings, where the term portal frame is more commonly used.
John Rahn, born on February 26, 1944, in New York City, is a music theorist, composer, bassoonist, and Professor of Music at the University of Washington School of Music, Seattle. A former student of Milton Babbitt and Benjamin Boretz , he was editor of Perspectives of New Music from 1983 to 1993 and since 2001 has been co-editor with Benjamin ...
"Tableau Vivant" is the 23rd episode of the third season of the American sitcom Modern Family, and the series' 71st episode overall. It aired on May 16, 2012. It aired on May 16, 2012. The episode was written by Elaine Ko , Jeffrey Richman and Bill Wrubel, and directed by Gail Mancuso .
The Todd-AO system was shot at 30 frames per second (fps), while Ultra Panavision 70 and MGM Camera 65 used the industry standard of 24 fps, and while the original Todd-AO process included the use of a deeply curved screen similar to that used for Cinerama (with fisheye optics to recreate its peripheral vision), [3] its narrower, non-anamorphic ...