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The use of Maya blue was corroborated in the Grolier Codex, and helped to authenticate the document, now known as Codex Maya of Mexico. Recent research also suggests Maya blue may have played an important role in human sacrifices to Chaac at Chichén Itzá, both produced at the sacrificial site and used to paint the bodies of the victims. [15] [1]
Netotiliztli was also not associated with a particular location, and could be practiced in public in temples, or in private settings. [7] The dances could occur at any time, although celebrations often aligned with the agricultural season, as festivals and ceremonies marked the beginning of the agriculture season to ensure a plentiful harvest.
Most producers make their rugs on foot pedal looms using wool dyed with natural materials such as indigo and the cochineal bug. [12] Rugs are also produced in Mitla, Santa Ana del Valle and Tlacolula de Matamoros along with blankets and a type of sarape. [10] One distinguishing feature of Oaxaca rug production is the use of the cochineal insect.
Ichcahuipilli armor was a lightweight, multifunctional garment worn on the torso of the warrior, designed to provide blunt-force trauma protection against clubs and batons, slash protection from obsidian macuahuitl, and projectile protection from arrows and atlatl darts. [3]
[3] [5] The Aztec main god, Huitzilopochtli, is associated with the hummingbird. His origin is from ball of fine feathers that fell on his mother, Coatlicue, and impregnated her. He was born fully armed with an eagle feather shield, fine plumage in his head and on his left sandal. [6] Feathers were valued similarly to jade and turquoise in ...
The sculpture measures approximately 13.1 x 11.8 feet (4 x 3.6 meters) and weighs nearly 12 tons, making it one of the largest Aztec monoliths ever discovered—larger even than the Calendar Stone. The sculpture, carved in a block of pink andesite, presents the goddess in her typical squatting position and is vividly painted in red, white ...