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Netotiliztli was also not associated with a particular location, and could be practiced in public in temples, or in private settings. [7] The dances could occur at any time, although celebrations often aligned with the agricultural season, as festivals and ceremonies marked the beginning of the agriculture season to ensure a plentiful harvest.
Along with being the Lord of the 12th day, in the sacred Aztec calendar called the Tōnalpōhualli Tlahuizcalpantecuhtli is patron of the trecena beginning with the day 1 Snake and ending with 13 Movement. In this he is paired with Xiuhtecuhtli, the god of fire. [11]
[8] [9] Toltec groups were making feathered items from black and white feathers of local origin. [5] The most developed use of feathers in Mesoamerica was among the Aztecs, Tlaxcaltecs and Purepecha. [1] Feathers were used to make many types of objects from arrows, fly whisks, fans, complicated headdresses and fine clothing. [10]
In Aztec mythology, the Thirteen Heavens were formed out of Cipactli's head when the gods made creation out of its body, whereas Tlaltícpac, the earth, was made from its center and the nine levels of the underworld from its tail.
Most producers make their rugs on foot pedal looms using wool dyed with natural materials such as indigo and the cochineal bug. [12] Rugs are also produced in Mitla, Santa Ana del Valle and Tlacolula de Matamoros along with blankets and a type of sarape. [10] One distinguishing feature of Oaxaca rug production is the use of the cochineal insect.
Annotated image of Xipe Totec sculpture. In Aztec mythology, Xipe Totec (/ ˈ ʃ iː p ə ˈ t oʊ t ɛ k /; Classical Nahuatl: Xīpe Totēc [ˈʃiːpe ˈtoteːk(ʷ)]) or Xipetotec [3] ("Our Lord the Flayed One") [4] was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, deadly warfare, the seasons, [5] and the earth. [6]