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Beat Ready Player One, and became the first Korean horror film to topped the weekend box office since The Wailing in 2016 14: April 8, 2018: US$3.9 million [14] The film topped Box Office by admissions with 513,648 attendance. Ready Player One: US$4.0 million [14] The film topped Box Office by gross with US$50,800 higher gross than Gonjiam ...
Opening English title Native title Director(s) Cast Ref. J A N U A R Y 2 Dogs in the House: 청춘빌라 살인사건: Shin Hae-kang: Kim Young-ho, Kim Jung-pal, Yoon Bong-gil [2]9 Don't Cry for Me Sudan: Shukran Baba
This is a list of films by year produced in the country of South Korea which came into existence officially in September 1948. The lists of Korean films are divided by period for political reasons. The lists of Korean films are divided by period for political reasons.
Jeon Il-woo, Kim Yang-rae, Lim Jung-ha, Park Hyung-jun Little Big Pictures February 9: Fabricated City: 조작된 도시: Park Kwang-hyun: Ji Chang-wook, Shim Eun-kyung: CJ Entertainment: February 15: New Trial: 재심: Kim Tae-yoon Jung Woo, Kang Ha-neul, Lee Dong-hwi: Opus Pictures February 15: My Little Brother: 그래, 가족: Ma Dae-yoon ...
Released English title Native title Director(s) Cast January 1: No Mercy: 언니: Im Gyeong-taek Lee Si-young, Park Se-wan, Lee Joon-hyuk: January 9: The Dude in Me: 내안의 그놈
Seo Do-cheol is a merciless police detective, who investigates the suicide of a truck driver named Bae, where he learns from Bae's son that Jo Tae-oh, the sadistic third-generation heir to powerful conglomerate Sinjin Group has assaulted Bae as the latter protested against the conglomerate for back-payment.
The film has become a major box office success in South Korea, grossing ₩91.5 billion (US$81.6 million) on a production budget of ₩6.5 billion (US$5.8 million) and surpassing 10 million ticket sales in just 15 days. [2] [6] As of June 2022, Extreme Job is the highest-grossing film and the second most viewed film in South Korean film history ...
In early 1970s Seoul, a film director Kim Ki-yeol is obsessed with the fact that the ending of his already wrapped film Cobweb would be better if remade.. Two series of sequences alternate: scenes in colour depicting the events that happen while the crew is filming under constraints of time and censorship, with somehow reluctant actors, who have been asked to come back in emergency to the film ...