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The event is narrated in Luke 1:26–38, in which Gabriel tells Mary that she will bear Jesus, the Son of God. Perhaps influenced by the fundamentalist teachings of the African Methodist Episcopal Church , Tanner uses a column of light to depict Gabriel and paints Mary in peasant clothing with no halo or other discernible holy attributes.
He is credited as the inventor of this type of composition, where Gabriel visits Mary in an outdoor setting. A typical Gothic Annunciation painting contained the archangel Gabriel visiting the Virgin Mary indoors and with Mary enthroned. The figures would appear flat, static, and unrealistic.
Gabriel, especially in northern Europe, is often shown wearing the vestments of a deacon on a grand feast day, with a cope fastened at the centre with a large morse (brooch). Especially in Early Netherlandish painting , images may contain very complex programmes of visual references, with a number of domestic objects having significance in ...
And in the sixth month the angel Gabriel was sent from God unto a city of Galilee, named Nazareth, to a virgin espoused to a man whose name was Joseph, of the house of David; and the virgin's name was Mary. And the angel came in unto her, and said, Hail, thou that art highly favoured, the Lord is with thee: blessed art thou among women. And ...
26 And in the sixth month the angel Gabriel was sent from God unto a city of Galilee, named Nazareth, 27 To a virgin espoused to a man whose name was Joseph, of the house of David; and the virgin's name was Mary. 28 And the angel came in unto her, and said, Hail, thou that art highly favoured, the Lord is with thee: blessed art thou among women.
A small piece of paper on the ground to the extreme right of the painting shows the artist's signature and date. The image portrays the moment in the Gospels when the angel Gabriel announces to Mary that she is to be the mother of God.
The painting, which is 49.5 cm tall and 58.5 cm wide, depicts the angel Gabriel announcing news of the conception and future birth of Jesus to Mary. An inscription on the reverse side notes that the painting once was in the Church of Saint Barnaba in Florence. [2]
The lower figures are Mary (mother of Jesus) and Gabriel. Mary is in shown in a degree of shock but Titian using his colours brings out the sight of the angel. This is most evident in his handling of light. A heavenly light pours from an opening in the sky into the place of the Annunciation. [1]