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A wimple is a medieval form of female headcovering, formed of a large piece of cloth worn draped around the neck and chin, covering the top of the head; it was usually made from white linen or silk. Its use developed in early medieval Europe; in medieval Christianity it was unseemly for a married woman to show her hair. A wimple might be ...
The traditional religious habit of Catholic nuns and Religious Sisters includes a coif as a headpiece, along with the white cotton cap secured by a bandeau, to which the veil is attached, along with a white wimple or guimpe of starched linen or cotton to cover the cheeks, neck and chest.
In reality, images appear of sleeves with a single slashed opening as early as the mid-15th century, although the German fashion for "many small all-over slits" may have begun here. [18] Whatever its origin, the fad for multiple slashings spread to German Landsknechts and thence to France, Italy, and England, where it was to remain a potent ...
Coif and barbettes were white, while the crespine might be colored or gold. The wimple and veil of the 12th century still seen on nuns today continued to be worn, mainly by older women and widows. [4] Women also wore long tunics that went down to their ankles. This was worn over a shirt.
Images from a 14th-century manuscript of Tacuinum Sanitatis, a treatise on healthful living, show the clothing of working people: men wear short or knee-length tunics and thick shoes, and women wear knotted kerchiefs and gowns with aprons. For hot summer work, men wear shirts and braies and women wear chemises.
Koslin, Désirée and Janet E. Snyder, eds.: Encountering Medieval Textiles and Dress: Objects, texts, and Images, Macmillan, 2002, ISBN 0-312-29377-1; Laver, James: The Concise History of Costume and Fashion, Abrams, 1979; Payne, Blanche: History of Costume from the Ancient Egyptians to the Twentieth Century, Harper & Row, 1965. No ISBN for ...
Images relating to the traditional blessing are frequently found on wimpels. The idea of founding a Jewish family as a married couple and passing on religious traditions is an idealised wish for the future of the young boy, usually represented by images of chuppahs and Torah scrolls painted or embroidered onto the wimpel.
It is essentially a type of wimple consisting of a large starched piece of white cloth that is folded upward in such a way as to create the resemblance of horns (French: cornes) on the wearer's head. It remained fashionable for some Parisian ladies around 1800, [ 1 ] wearing ones made of muslin or gauze and richly ornamented with lace .