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Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE. Of varied and unclear origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers ...
Aesop and the Ferryman; The Ant and the Grasshopper; The Ape and the Fox; The Ass and his Masters; The Ass and the Pig; The Ass Carrying an Image; The Ass in the Lion's Skin
In addition there was an English-language version set by Bob Chilcott as the fourth in his Aesop's Fables for piano and choir (2008); [54] [55] and a purely musical interpretation for small orchestra by Matt Fernald as the first part of his musical thesis composition, performed under the title An Evening with Aesop in 2013. [56] [57]
This was the version taken up in early English collections of Aesop's fables, including those of William Caxton, [3] Francis Barlow, [4] and Samuel Croxall. [5] Marie de France also used this story in her 12th century Anglo-Norman account, with the additional detail that the fox had first bundled firewood around the tree. Her comment on the ...
The Honest Woodcutter, also known as Mercury and the Woodman and The Golden Axe, is one of Aesop's Fables, numbered 173 in the Perry Index. It serves as a cautionary tale on the need for cultivating honesty, even at the price of self-interest. It is also classified as Aarne-Thompson 729: The Axe falls into the Stream. [2]
Edward Hughes, as the third in his ten Songs from Aesop's Fables for children's voices and piano (1965), in a version by Peter Westmore; Andre Asriel, Der Frosch und der Ochse, the second in his 6 Fabeln nach Aesop for mixed a cappella voices (1972) [21] Isabelle Aboulker among the seven in her children's operetta La Fontaine et le Corbeau ...