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English: Christian Dior evening ensemble, "Zémire," H Line, Fall-Winter 1954. Red cellulose acetate satin. Red cellulose acetate satin. Ballgown skirt, separate bodice, long jacket, and petticoat with white boned corset bodice and red crinoline skirt.
Evening dress and evening glove by Dior, silk taffeta, 1954. Indianapolis Museum of Art. Natalie Wood (center, with Tab Hunter) and Louella Parsons wear ballerina-length evening dresses at the Academy Awards, 1956. With his revolutionary New Look, Christian Dior wrote a new chapter in the history of fashion.
[citation needed] The fit and flare silhouette is linked to Christian Dior's "New LooK" of a cinched waist and full skirt that became popular in the post-war decades. [1] [2] Fit and flare dresses allowed women to show off the hourglass figure that was in vogue in the era. The flattering nature of the silhouette has ensured its popularity into ...
In 2010, a record price of £719,000 was achieved at Christie's for a unique seven-foot-high print of model Dovima, posing in a Christian Dior evening dress with elephants from the Cirque d’Hiver, Paris, in 1955. This particular print, the largest of this image, was made in 1978 for Avedon's fashion retrospective at the Metropolitan Museum of ...
Even though daywear dresses were influenced by the war, evening dresses remained glamorous. Women's undergarments became the soul of fashion in the 1940s [6] because it maintained the critical hourglass shape with smooth lines. Clothes became utilitarian. Pants or trousers were considered a menswear item only until the 1940s. [6]
[2] Dior's skills led to his employment and design for various fashion icons in attempts to preserve the fashion industry during World War II. After the war, he founded and established the Dior fashion house, with his collection of the "New Look". In 1947, the collection debuted featuring rounded shoulders, a cinched waist, and very full skirt.
[3] [7] This was Dior's intention, as he aimed to "mark a departure" from the simplistic fashions of wartime years. [7] The raffia elements were in line with trends of the 1950s, with the dress embodying Dior's New Look, which reintroduced feminine features and voluminous skirts in a post-World War II era.
Théâtre de la Mode exhibit of doll-like mannequins wearing 1946 French couture clothing and accessories.. Théâtre de la Mode (Theatre of Fashion) was a 1945–1946 touring exhibit of fashion mannequins created at approximately 1/3 the size of human scale, and crafted by top Paris fashion designers.It was created to raise funds for war survivors and to help revive the French fashion ...