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Song Film Music Composer Singer(s) Lang; Ābhēri (Carnatic) Bhimpalasi (Hindustani) Maname Ganamum [TH - A Raga's Journey 1] Savitri Papanasam Sivan: M. S. Subbulakshmi: Ābhēri / Bhimpalasi "Bina Madhur Madhur Kachhu Bol" Ram Rajya (1943 film) Shankar Rao Vyas Saraswati Rane: Hindi: Ābhēri / Bhimpalasi "Duniya Se Ji Ghabra Gaya" Laila ...
Alhaiya Bilaval is a Hindustani classical raga. It is the most commonly performed raga of a large group of ragas that are mainly based on a scale more or less identical to the Western major scale . For this reason, that scale itself is known as the Bilaval Thaat .
Zubeen Garg (born 18 November 1972), his contributions are mostly attributed in Assamese, Bengali and Hindi films and music. Garg has recorded more than 38,000 songs in 40 different languages in the past 32 years. [1] [2] He records more than 800 songs every year [3] [4] and has recorded 36 songs in a night. [5] [6]
Raga Jaunpuri is a rāga in Hindustani classical music in the Asavari thaat. Some musicians like Omkarnath Thakur consider it indistinguishable from the shuddha rishabh Asavari . [ 2 ] Its attractive swaras also make it a popular raga in the Carnatic circles with a number of compositions in South India being tuned to Jaunpuri.
Bilaval or Bilawal (IAST: Bilāval) is the most basic of all the ten thaats of Hindustani classical music of the Indian subcontinent. [1] All the swaras in the thaat are shuddha or all swaras in the natural scale. Bilaval as a raga is not rendered these days however a small variation of the raga called Alhaiya Bilaval is very common. This is a ...
"Meri Tabahi Pe Tu Bhi Chup Hai" (version 1) Hansraj Behl Asad Bhopali solo "Meri Tabahi Pe Tu Bhi Chup Hai" (version 2) "O Dilwalo Dil Ko Sambhalo" S. Balbir Majboori "Aankhen Ro Ro Har Gayi" Robin Chatterjee D. N. Madhok solo "Bhanware Ne Kali Se Kuchh Bol Diya" "Yeh Behta Huwa Paani" "Teri Poojan Ko Bhagwan Mana" Hamida Banu Mahatma Kabir
Rāga is a melodic framework for improvisation based on the idea that certain characteristic patterns of notes (svara) evoke a heightened state of emotion.These patterns of notes are a fusion of scalar and melodic elements, and each raga can be described in terms of its ascending lines (āroha) and descending lines (avaroha), as well in terms of its characteristic melodic figures in which ...
In Hindustani music, a pakad (Hindi: पकड़) is a generally accepted musical phrase (or set of phrases) thought to encapsulate the essence of a particular raga.The pakad contains the melodic theme of the raga, on listening to the pakad a person who knows the raga is usually able to identify it.