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  2. Kriti (music) - Wikipedia

    en.wikipedia.org/wiki/Kriti_(music)

    A kriti (Sanskrit: कृति, lit. 'kṛti') is a form musical composition in the Carnatic music literature. The Sanskrit common noun Kriti means 'creation' or 'work'.. A kriti forms the mental backbone of any typical Carnatic music concert and is the longer format of a Carnatic song.

  3. Geetam - Wikipedia

    en.wikipedia.org/wiki/Geetam

    Sāmānya gītaṃ: the simple song and it is also called sādhāraṇa gītaṃ or sancāri gītaṃ. Lakshaṇa gītaṃ : the sāhityaṃ (lyrics), instead of praising God, enumerates in so many words, the lakshana of the raga, in which it is composed-giving among other details, its vakra svarā, graha, nysa, aṃśa svarā and its parent ...

  4. Glossary of Carnatic music - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_Carnatic_music

    Varnam is a type of composition which is suited for vocal exercises of a wide variety of Carnatic music aspects, including slow and fast tempo of singing, both lyrics and swarams. It is the most complex of vocal exercises. In modern carnatic concerts, it is usually sung as a first song and is supposed to help warm-up.

  5. Carnatic music - Wikipedia

    en.wikipedia.org/wiki/Carnatic_music

    Carnatic songs (kritis) are varied in structure and style, but generally consist of three units: Pallavi. This is the equivalent of a refrain in Western music, with 1 or 2 lines. Anupallavi. This is the second verse, also as 2 lines. Charana. The final (and longest) verse that wraps up the song.

  6. Nottuswara - Wikipedia

    en.wikipedia.org/wiki/Nottuswara

    On the other hand, the lyrics (sahitya) of these compositions are entirely Indian and consistent with the rest of the stotra-literature, or other songs addressed to similar deities. [ 1 ] Sometimes the name "nottuswaram" is used to refer to other compositions based on Western notes, not necessarily by Muthuswami Dikshitar.

  7. Hamsadhvani - Wikipedia

    en.wikipedia.org/wiki/Hamsadhvani

    Hamsadhvani is also extensively used in Hindustani music and is borrowed into it from Carnatic music. [3] It was created by the Carnatic composer Ramaswami Dikshitar (1735–1817), [4] father of Muthuswami Dikshitar (one of the musical trinity of Carnatic music), and brought into Hindustani music by Aman Ali Khan of the Bhendibazaar gharana.

  8. Rangapura Vihara - Wikipedia

    en.wikipedia.org/wiki/Rangapura_Vihara

    The title of the song means one who roams (vihara) in Srirangam (Rangapura), a temple town in Tamil Nadu, India. It details the exploits of the Lord Rama, whose family deity is Ranganatha of Srirangam. The most famous version of this song was rendered by M.S.Subbulakshmi, live at the United Nations. It has a pallavi, anupallavi and charanam.

  9. Sangita Ratnakara - Wikipedia

    en.wikipedia.org/wiki/Sangita_Ratnakara

    Sangita Ratnakara was written by Śārṅgadeva, also spelled Sarangadeva or Sharangadeva.Śārṅgadeva was born in a Brahmin family of Kashmir. [11] In the era of Islamic invasion of the northwest regions of the Indian subcontinent and the start of Delhi Sultanate, his family migrated south and settled in the Hindu kingdom in the Deccan region near Ellora Caves (Maharashtra).