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Filippo Lippi, Adoration in the Forest, by 1459 Cimabue, Madonna of Santa Trinita, c. 1285, once in the church of Santa Trinita, now in the Uffizi Gallery. Florentine painting or the Florentine school refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the ...
The Accademia e Compagnia delle Arti del Disegno, or "academy and company of the arts of drawing", was founded on 13 January 1563 by Cosimo I de' Medici, under the influence of Giorgio Vasari. [3] It was made up of two parts: the company was a kind of guild for all working artists, while the academy was a more select group of artists ...
It was initially known as the Accademia e Compagnia delle Arti del Disegno ("Academy and Company of the Arts of Drawing") and consisted of two parts: the company was a kind of guild for all working artists, while the academy was for more eminent artistic figures of the Medici court, and supervised artistic production in the Duchy of Florence.
Alessandro di Cristofano di Lorenzo del Bronzino Allori (Florence, 31 May 1535 – 22 September 1607) was an Italian painter of the late Mannerist Florentine school. Biography [ edit ]
Allori was born at Florence and received his first lessons in painting from his father, Alessandro Allori, but becoming dissatisfied with the hard anatomical drawing and cold coloring of the latter, he entered the studio of Gregorio Pagani, who was one of the leaders of the late Florentine school, which sought to unite the rich coloring of the Venetians with the Florentine attention to drawing.
1440: Cennino D'Andrea Cennini – Florentine painter (born 1370) 1441: Bartolomeo di Fruosino - Italian painter and illuminator of the Florentine School (born 1366 or 1369) 1441: Jan van Eyck – Early Netherlandish painter (born 1385) 1444: Robert Campin – Early Netherlandish painter (born 1375)
Cosmè Tura completes painting St Anthony of Padua; c. 1490–1497: Leonardo da Vinci or one of his school paints La belle ferronnière; c. 1490–1498, probably c. 1495: Gerard David paints Triptych of the Sedano family; c. 1490–1500: Giovanni Bellini paints the Holy Allegory and Portrait of a Gentleman (both Uffizi, Florence)
According to Riccardo Lattuada, co-editor of a catalogue raisonné of the works of Orazio and his daughter Artemisia [3] and author of the work's auction notice in 2016, alabaster was frequently used as a support in Florentine School painting in the late 16th and early 17th centuries.