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Tapping was occasionally employed by many 1950s and 1960s jazz guitarists such as Barney Kessel, who was an early supporter of Emmett Chapman. In August 1969, Chapman developed a new way of two-handed tapping with both hands held perpendicular to the neck from opposite sides, thus enabling equal counterpoint capabilities for each hand.
Flapping or tapping, also known as alveolar flapping, intervocalic flapping, or t-voicing, is a phonological process involving a voiced alveolar tap or flap; it is found in many varieties of English, especially North American, Cardiff, Ulster, Australian and New Zealand English, where the voiceless alveolar stop consonant phoneme /t/ is pronounced as a voiced alveolar flap [ɾ], a sound ...
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Table-turning (also known as table-tapping, table-tipping or table-tilting) is a type of séance in which participants sit around a table, place their hands on it, and wait for rotations. The table was purportedly made to serve as a means of communicating with the spirits; the alphabet would be slowly spoken aloud and the table would tilt at ...
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Tap dancing class at Iowa State College, 1942. Tap dance (or tap) is a form of dance that uses the sounds of tap shoes striking the floor as a form of percussion; it is often accompanied by music. [1] Tap dancing can also be a cappella, with no musical accompaniment; the sound of the taps is its own music.
English Speaking Board (International) Ltd. (ESB) was founded in 1953 as a charitable organisation by Christabel Burniston, a pioneer of a new approach to developing speech and listening skills. Breaking away from the traditional ‘ elocution ’ classes and exams of the era, ESB’s approach was to enable individuals to learn and be tested on ...
Trills may be realized as a single contact, like a tap or flap, but are variable, whereas a tap/flap is limited to a single contact. When a trill is brief and made with a single contact it is sometimes erroneously described as an (allophonic) tap/flap, but a true tap or flap is an active articulation whereas a trill is a passive articulation.