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This is the way the blues was intended – no showboating, no fireworks, just layering on the levels of bluesy guitar notes on his resonator guitar." [ 3 ] On Rock & Blues Muse , Hal Horowitz wrote, "It’s a wonderful listen, not just for riveting performances... but because Stanley captures the sound from the small 150 capacity venue with ...
While previous Boss Hog albums were indelibly stamped with the guitar-heavy aesthetic of Jon Spencer, AllMusic critic Chris Handyside describes Whiteout as fully planned and led by Cristina Martinez. The results are a modernized version of the group's signature sound, "garage punk and new wave girl groups as refracted through a 21st century ...
The line-up on their first album, Scratchin' the Surface, produced by the 19-year-old head of A&R for Liberty Records, Mike Batt, and released in November 1968, [1] consisted of McPhee as singer and guitarist, bassist Peter Cruickshank, Ken Pustelnik (born 13 March 1946 on a farm near Blairgowrie, Angus, Scotland) on drums and Steve Rye (born 8 March 1946 in London – died 19 July 1992, in ...
Frank Auerbach – The Charcoal Heads review: 23 drawings, one epic experience. ... 2024 at 4:00 AM. Head of EOW, 1956 charcoal (left) and Head of Leon Kossoff, 1956-57, charcoal and chalk on ...
Beaucoups of Blues is the second studio album by the English rock musician and former Beatle Ringo Starr. It was released in September 1970, five months after his debut solo album, Sentimental Journey. Beaucoups of Blues is very far removed in style from its pop-based predecessor, relying on country and western influences.
The Penguin Guide to Jazz noted "Blues for a Reason stands out from much of the work of the period in including relatively unfamiliar charts, including three by Chet himself. ... This is an important and quietly salutary album that confounds the more casual dismissals of the trumpeter's latter-day work". [ 3 ]