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Opening Title Production company Cast and crew Ref. J A N U A R Y: 12 Bio-Dome: Metro-Goldwyn-Mayer / Motion Picture Corporation of America: Jason Bloom (director); Adam Leff, Mitchell Peck, Jason Blumenthal (screenplay); Pauly Shore, Stephen Baldwin, William Atherton, Joey Adams, Teresa Hill, Rose McGowan, Kylie Minogue, Dara Tomanovich, Henry Gibson, Patricia Hearst, Roger Clinton, Taylor ...
The Summer of Ben Tyler is an American drama television film that premiered on CBS on December 15, 1996, as part of the Hallmark Hall of Fame anthology series. The film is directed by Arthur Allan Seidelman and written by Robert Inman.
If These Walls Could Talk is a 1996 American anthology television film, broadcast on HBO.It follows the plights of three women and their experiences with abortion.Starring Anne Heche, Cher, Demi Moore and Sissy Spacek, each of the three stories takes place in the same house, albeit 22 years apart (in 1952, 1974, and 1996, respectively).
The theatrical year of 1996 achieved a $5.8 billion domestic gross milestone and saw a record twelve films earning over $100 million by the end of December, with Independence Day earning over $300 million.
Weekend end date Film Total weekend gross Notes Ref; 1: January 7, 1996: 12 Monkeys: $13,842,990: 12 Monkeys broke Good Morning, Vietnam ' s record ($11.7 million) for the highest weekend debut in January.
1996 Sex and Longing: Lulu Cort Theatre [129] 2001–02 The Guys: Joan The Flea Theater [130] 2002 The Mercy Seat: Abby Prescott: Acorn Theatre [131] 2004 Mrs. Farnsworth: Marjorie Farnsworth: The Flea Theater [132] 2007 Crazy Mary: Lydia Playwrights Horizons [133] Love Letters: Melissa Gardner: The Flea Theater (Single benefit) [134] 2008 Love ...
With "Master" streaming this week and Oscars on deck, Hall looks back at her greatest hits, including "The Best Man," "Scary Movie," "Ally McBeal" and "Girls Trip."
[12] On Rotten Tomatoes, the film has an approval rating of 82% based on 49 reviews, with an average rating of 6.9/10. The website's critical consensus reads, "An absorbing showcase for Philip Baker Hall, Paul Thomas Anderson's feature debut is a gamble that pays off handsomely." [13] It is described by some authors as a neo-noir film. [14]