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Like most poems in Alice, the poem is a parody of a poem then well-known to children, Robert Southey's didactic poem "The Old Man's Comforts and How He Gained Them", originally published in 1799. Like the other poems parodied by Lewis Carroll in Alice , this original poem is now mostly forgotten, and only the parody is remembered. [ 3 ]
The poem is written in the voice of an old woman in a nursing home who is reflecting upon her life. Crabbit is Scots for "bad-tempered" or "grumpy". The poem appeared in the Nursing Mirror in December 1972 without attribution. Phyllis McCormack explained in a letter to the journal that she wrote the poem in 1966 for her hospital newsletter. [4]
To me, fair friend, you never can be old, For as you were when first your eye I ey’d, Such seems your beauty still. Three winters cold Have from the forests shook three summers’ pride, Three beauteous springs to yellow autumn turn’d In process of the seasons have I seen, Three April perfumes in three hot Junes burn’d, Since first I saw ...
Sonnet 22 uses the image of mirrors to argue about age and its effects. The poet will not be persuaded he himself is old as long as the young man retains his youth. On the other hand, when the time comes that he sees furrows or sorrows on the youth's brow, then he will contemplate the fact ("look") that he must pay his debt to death ("death my days should expiate").
In Trotwood's Monthly he commented: "In your March issue, reprinting the familiar poem, "The Old Canoe," which the anthology-makers so persistently ascribe to the late Gen. Albert Pike, you say: "Like many other good poems, It was, perhaps, the only one some poet wrote, and, never thinking itt would be immortal, or that it had any special merit ...
Tenor is available in numerous keyboards and messaging apps. [9]On April 25, 2017, Tenor introduced an app that makes GIFs available in MacBook Pro's Touch Bar. [10] [11] Users can scroll through GIFs and tap to copy it to the clipboard.
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[7] [8] The poem is a monologue in free verse describing his household (a boy reading to him, a woman tending to the kitchen, and the Jewish landlord), and mentioning four others (three with European names and one Japanese) who seem to inhabit the same boarding house. The poem then moves to a more abstract meditation on a kind of spiritual malaise.