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Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran churches. [citation needed] Some have been adopted as Christmas hymns. Marian hymns are not popular among Protestants who see ...
Mary M. MacDonald (Màiri Dhòmhnallach in Scottish Gaelic) (1789–1872), who lived in the crofting community of Ardtun near Bunessan and spoke only Gaelic, wrote her hymn Leanabh an Àigh to a traditional melody. [2]
The English version of the hymn uses imagery familiar in the early 20th century, in place of the traditional Nativity story. This version is derived from Brébeuf's original song and Huron religious concepts. In the English version, Jesus is born in a "lodge of broken bark" and wrapped in a "robe of rabbit skin".
The assumption of Mary is praised in numerous songs from the 10th century, [13] In several songs, Mary is praised to be above all saints and angels and participates in the kingdom of her son. Her assumption is “wished by the faithful people” in a song from the 12th century. [14] The Marian songs and hymns in this epoch are too numerous to ...
Christian funeral music (1 C, 11 P) D. Albums in memory of deceased persons (38 P) R. Requiems (1 C, 35 P) S. Songs inspired by deaths (3 C, 61 P)
"Rise Up, Shepherd, and Follow" is a song telling the story of Christmas morning, describing a "star in the East" that will lead to the birthplace of Christ. The title derives from a lyric repeated throughout the song. Depending on how the song is arranged and performed, it is known variously as a spiritual, hymn, carol, gospel song, or folk song.
The story may be derived from the apocryphal Gospel of Pseudo-Matthew, written around the year 650, [3] which combines many earlier apocryphal Nativity traditions; however, in Pseudo-Matthew, the event takes place during the flight into Egypt, and the fruit tree is a palm tree (presumably a Date Palm) rather than a cherry tree.
"Song for Athene", which has a performance time of about seven minutes, is an elegy consisting of the Hebrew word alleluia ("let us praise the Lord") sung monophonically six times as an introduction to texts excerpted and modified from the funeral service of the Eastern Orthodox Church and from Shakespeare's Hamlet (probably 1599–1601). [4]