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Theatrical superstition holds that speaking the name Macbeth inside a theatre will lead to a curse. The Scottish Play and the Bard's play are euphemisms for the William Shakespeare play Macbeth. The first is a reference to the play's Scottish setting, and the second is a reference to Shakespeare's popular nickname.
William Shakespeare's play Macbeth is said to be cursed, so actors avoid saying its name when in the theatre (the euphemism "The Scottish Play" is used instead). Actors also avoid even quoting the lines from Macbeth before performances, particularly the Witches' incantations. Outside a theatre and after a performance, the play can be spoken of ...
The Goodman's Croft was a superstition common in 16th and 17th century Great Britain, particularly in Scotland. [1] [2] It was also known as the Guideman's Grunde, Halyman's Croft, Goodman's Fauld, Gi'en Rig, Deevil's Craft, Clooties Craft, and the Black Faulie.
The scheme of The Somerset Masque appears to be derived from the story of Peleus and Thetis, as related by Catullus. [6] Campion's masque on the night of the wedding ceremony was the first of a number of entertainments, including Ben Jonson's A Challenge at Tilt and The Irish Masque at Court, Thomas Middleton's lost Masque of Cupids, and The Masque of Flowers.
The expression "Curse of Scotland" is sometimes used simply to refer to an occasion of bad luck at cards and can also refer generally to unwanted situations in Scotland, such as swarms of midges. [20] There is a theatrical superstition, sometimes called the Scottish curse, that speaking the name Macbeth in the theatre
The tradition traveled to Scotland and is thought to have been adopted into law by Queen Margaret in 1288, though she would have been around six years old at the time. ... Leap day: 6 weird ...
Anyone who’s born on 29 February, leap day, was said to be unlucky in Scottish culture. “Leaplings,” the term used for babies born on leap day, were predicted to have a year of “untold ...
Scottish mythology is the collection of myths that have emerged throughout the history of Scotland, sometimes being elaborated upon by successive generations, and at other times being rejected and replaced by other explanatory narratives.