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Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form.
rumba la rumba la rumba la. Y a las tropas invasoras, rumba la rumba la rumba la Buena paliza les dio, ¡Ay Carmela! ¡Ay Carmela! Buena paliza les dio, ¡Ay Carmela! ¡Ay Carmela! El furor de los traidores, rumba la rumba la rumba la. El furor de los traidores, rumba la rumba la rumba la. Lo descarga su aviación, ¡Ay Carmela! ¡Ay Carmela!
In the late 1950s, popular artists such as Peret (El Rey de la Rumba) and El Pescaílla developed an uptempo style that combined elements from rumba flamenca, Spanish gypsy music and pop. This became known as Catalan rumba (rumba catalana). [16] In the 1980s, the style gained international popularity thanks to French ensemble Gipsy Kings.
Galician rumba (rumba gallega) belongs to those songs and dances called cantes de ida y vuelta, "of departure and return", like the Habanera, that travelled back from Cuba to the Spanish motherland to establish themselves as musical genres cultivated and cherished by the Spanish population.
Although rumba is played predominantly in binary meter (duple pulse: 2 4, 4 4), triple meter (triple pulse: 9 8, 3 4) is also present. In most rumba styles, such as yambú and guaguancó, duple pulse is primary and triple-pulse is secondary. [18] In contrast, in the rural style columbia, triple pulse is the primary structure and duple pulse is ...
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Rumba clave in duple-pulse and triple-pulse structures. Rumba clave is the key pattern (guide pattern) used in guaguancó. There is some debate as to how the 4/4 rumba clave should be notated for guaguancó. [1] In actual practice, the third and fourth stroke often fall in rhythmic positions that do not fit neatly into music notation. [2]
The exclamation became associated with the Madrid flamenco dancer and singer La Caramba in the 1780s. Her headdress of brightly colored ribbons became known as a caramba. [2] [3]