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The traverse support of the legs disappeared, and the chairs were designed so one could sit back comfortably. The legs had a curving 'S shape. The carved decor featured sculpted fleurettes, palmettes, seashells, and foliage. The dossier, or back of the chair, was violones, slightly curved like a violin.
The armchairs chairs of the early Louis XIV style had legs in a form called en gaine or en balustre, which were lavishly decorated with sculpted and often gilded ornaments called godsons, cannelures and feuillages, or leaves. The four legs were connected for support by a cross beam under the chair in the form of an H, which evolved into an X.
Download as PDF; Printable version ... gold paint, gold leaf, and ink on parchment, Heidelberg ... Postmodern acanthus leave on the leg of a table with different legs
Wallpaper was often made in elaborate floral patterns with primary colors (red, blue, and yellow) in the backgrounds and overprinted with colours of cream and tan. This was followed by Gothic art inspired papers in earth tones with stylized leaf and floral patterns.
With the death of Louis XV on May 10, 1774, his grandson Louis XVI became King of France at age twenty. The new king had little interest in the arts, but his wife, Marie-Antoinette, and her brothers-in-law, the Comte de Provence (the future Louis XVIII) and the Comte d'Artois (the future Charles X), were deeply interested in the arts, gave their protection to artists, and ordered large amounts ...
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Walnut and burr walnut veneer side chair attributed to Giles Grendey, London, c. 1740 (Art Institute of Chicago) Ornamentation is minimal, in contrast to earlier 17th-century and William and Mary styles, which prominently featured inlay, figured veneers, paint, and carving. The cabriole leg is the "most recognizable element" of Queen Anne ...