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Man Controlling Trade is the name given to two monumental equestrian statues created by Michael Lantz for the Federal Trade Commission Building in Washington, D.C. under the United States Department of the Treasury Section of Painting and Sculpture. The works were dedicated in 1942.
The sculpture is titled Business Man on Horse. [23] The statue do not portray a specific individual. — Windsor, Ontario: William McElcheran Previously located on the grounds of Windsor Sculpture Park, although acts of vandalism against the sculpture led to its removal. The sculpture is titled Business Man on Horse. [24]
Marini is particularly famous for his series of stylised equestrian statues, which feature a man with outstretched arms on a horse. The evolution of the horse and rider as a subject in Marini's works reflects the artist's response to the changing context of the modern world. This theme appeared in his work in 1936.
The Jackson Monument and White House in the 1890s. The statue was dedicated on January 8, 1853, the 38th anniversary of the Battle of New Orleans, with procession from Judiciary Square followed by an address delivered by Senator Stephen A. Douglas to a crowd of 20,000 people, including President Fillmore, Major General Winfield Scott, members of his cabinet and of Congress, the monument ...
The statue was described by Damião de Góis as being in stone and standing on a slab. It depicted a man riding a horse. [1] The man was pointing towards the west, his right arm and index finger outstretched, while his left rested on the horse's mane. [2] The man wore a moorish tunic but no hat. [3]
A replica of Shrady's statue in Brooklyn, New York City. J.C. Nichols Memorial Fountain, by Henri-Léon Gréber, Country Club Plaza, 1910. Relocated in the 1950s from Harbor Hill in Roslyn, New York. The four equestrian statues may be allegorical figures of major rivers, with the Native American rider representing the Mississippi River.
An equestrian statue is a statue of a rider mounted on a horse, from the Latin eques, meaning 'knight', deriving from equus, meaning 'horse'. [1] A statue of a riderless horse is strictly an equine statue. A full-sized equestrian statue is a difficult and expensive object for any culture to produce, and figures have typically been portraits of ...
The sculpture depicts a man riding on a horse, naked and barefoot, without tack – no saddle, bridle, or other riding equipment. The man's right hand rests on the horse's stylised mane, with his left hand resting on the horse's left flank. The horse is standing still on four legs, ready to walk, on a rough bronze base.