Ad
related to: horse statue leg position meaning
Search results
Results From The WOW.Com Content Network
An equestrian statue is a statue of a rider mounted on a horse, from the Latin eques, meaning 'knight', deriving from equus, meaning 'horse'. [1] A statue of a riderless horse is strictly an equine statue. A full-sized equestrian statue is a difficult and expensive object for any culture to produce, and figures have typically been portraits of ...
The statue sits on a pedestal, and both the condottiero and his horse are portrayed in life size. Instead of portraying the soldier as larger-than-life, as in the classical Equestrian Statue of Marcus Aurelius in Rome , where a sort of hierarchy of size demonstrates the subject's power, Donatello used emotion, position, and symbolism to convey ...
The posture of the trotting horse in this statue is similar to those of prior statues, with right leg raised; however, unlike Marcus Aurelius, Cosimo uses stirrups and his horse shows the restraint of the bridle, albeit without much tension. Cosimo, like Gattamelata, holds a military baton, armor, and sheathed sword.
The Persian Rider [1] is an archaic Greek equestrian sculpture, c. 520–500 BCE, that once stood on the Acropolis of Athens. Only fragmentary remains survive; the lower torso and legs of the rider and the head, forelegs and chest of the horse. It was found west of the Erechtheion in 1886 and reconstructed by Franz Studniczka. [2]
The first instance that the horse was successfully positioned on the two hind legs without using the tail as a third support. Erected in front of the Hoftheater as an equestrian statue on a stone pedestal in 1826; the present fountain monument was created in 1894 (see Leopoldsbrunnen ).
Leonardo da Vinci's study in silverpoint for The Horse, c. 1488 [1] Study in silverpoint for the monument (abandoned design), c. 1490 [2]. Leonardo's Horse (also known as the Sforza Horse or the Gran Cavallo ("Great Horse") ) is a project for a bronze sculpture that was commissioned from Leonardo da Vinci in 1482 by the Duke of Milan Ludovico il Moro, but never completed.
Upon seeing the drawing, the king sent a man from Porto to bring the statue to Lisbon. [2] However, by the time the statue arrived in Lisbon it was destroyed. According to de Góis this was likely caused by the attempt to move it. [2] Only the heads of the horse and man, the right arm of the man and a foot and section of the leg remained intact ...
Another view. Verrocchio based the sculpture on Donatello's statue of Gattamelata, as well as on the ancient statue of Marcus Aurelius in Rome, the St. Mark's Horses in Venice, the Regisole (a late antiquity work in Pavia, now lost), and the frescoes of the Funerary Monument to Sir John Hawkwood by Paolo Uccello and of the Equestrian Monument of Niccolò da Tolentino by Andrea del Castagno.