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The lids of canopic jars began to be sculpted in the shape of heads at the end of the First Intermediate Period, at the same time that the jars' inscriptions began to invoke the sons of Horus. These lids are therefore probably meant to represent the four sons rather than the organs' deceased owner. [ 26 ]
[5] [6] The most common materials used to make the jars include wood, limestone, faience, and clay, and the design was occasionally accompanied by painted on facial features, names of the deceased or the gods, and/or burial spells. Early canopic jars were placed inside a canopic chest and buried in tombs together with the sarcophagus of the ...
Sometimes the four canopic jars were placed into a canopic chest and buried with the mummified body. A canopic chest resembled a "miniature coffin" and was intricately painted. The Ancient Egyptians believed that by burying their organs with the deceased, they may rejoin in the afterlife.
Isis speaks in Spell 151, however. She is the guardian of Imseti, who in turn guards the canopic jar containing the liver. As well Isis is a member of the Heliopolitan cosmology's Ennead, a system of gods often extended to include Horus. [17] Book of the Dead Spell 30A appears to connect the heart with afterlife judgments, imploring:
In front of Osiris are the four sons of Horus (see also canopic jars from Facsimile 1 in the JSP I) standing by, protecting the internal organs of the deceased during the judgement. Halfway down the Lilly stand, above two plant shaped wine jars are two human-headed birth bricks called Meskhenet and Shai, gods of destiny that represent the fate ...
The two boxes are very similar, having sloping roofs and gilded plaster decoration on black backgrounds. The lids of both boxes had been moved but the alabaster canopic jars and embalmed viscera, which in the case of Thuya were shaped like mummies and wearing gilt masks, were undisturbed. Under the beds and in the corner by the door were ...
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Canopic jars of a Princess Tentamun were also found, indicating that she was once interred in her father's tomb. No trace of blocking or sealing was found at the entrances of these chambers so they were likely closed with wooden doors, long since looted, as evidenced by sockets, and a wooden lintel on Chamber Ja.