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Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.
The term was first used for San Francisco Victorian houses by Elizabeth Pomada and Michael Larsen in their 1978 book Painted Ladies: San Francisco's Resplendent Victorians. [1] Although polychrome decoration was common in the Victorian era, the colors used on these houses are not based on historical precedent. [2]
Historic paint analysis, or architectural paint research, is the scientific analysis of a broad range of architectural finishes, and is primarily used to determine the color and behavior of surface finishes at any given point in time. This helps us to understand the building's structural history and how its appearance has changed over time.
[6] [7] At least two modern reproductions of Scheele's green hue with modern non-toxic pigments have been made, with similar but non-identical color coordinates: one with hex#3c7a18 (RGB 60, 122, 24) and another with hex#478800 (RGB 71, 136, 0). [8] [9] The latter is the more typically reported color coordinate for Scheele's green. [10]
[4] [5] The earliest record of the use of mummy brown dates back to 1712 when an artist supply shop called "À la momie" in Paris sold paints, varnish, and powdered mummy. [2] In 1797, a Compendium of Colours published in London proclaimed that the finest brown used as a glaze by Benjamin West , the president of the Royal Academy , "is the ...
A warm, taupe-like brown may seem like a boring cabinet paint color choice—but we beg to differ. To liven it up, consider pairing the shade with antiqued hardware and rich wood tones.