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Cats is a 1998 British direct-to-video musical film based on the 1981 stage musical by Andrew Lloyd Webber, itself based on Old Possum's Book of Practical Cats (1939) by T. S. Eliot. Lloyd Webber oversaw orchestration and called on Gillian Lynne, the show's original choreographer, to train the cast members.
Demeter is a main character in the Andrew Lloyd Webber musical Cats. The musical is an adaptation of T. S. Eliot's 1939 poetry book Old Possum's Book of Practical Cats, and the character's name is given in the poem "The Naming of Cats". [1] Demeter is a very troubled and skittish female Jellicle cat.
ET breaks down everything you need to know about Andrew Lloyd Webber's hit musical about a group of dancing and singing felines.
Cats is a sung-through musical with music by Andrew Lloyd Webber.It is based on the 1939 poetry collection Old Possum's Book of Practical Cats by T. S. Eliot.The musical tells the story of a tribe of cats called the Jellicles and the night they make the "Jellicle choice" by deciding which cat will ascend to the Heaviside Layer and come back to a new life.
The site's critics consensus reads: "Despite its fur-midable cast, this Cats adaptation is a clawful mistake that will leave most viewers begging to be put out of their mew-sery." [ 84 ] On review aggregator Metacritic , the film has a weighted average score of 32 out of 100 based on 51 critics, indicating "generally unfavorable reviews". [ 85 ]
Jennifer Hudson, Taylor Swift and James Corden have been cast in Working Title’s upcoming movie version of Andrew Lloyd Webber’s smash musical 'Cats.'
Pick one of these famous movie cat names from Disney hits and Hollywood classics. These names fit male/female cats, grey cats, white cats, black cats and more.
Old Deuteronomy is a character in T. S. Eliot's 1939 Old Possum's Book of Practical Cats and its 1981 musical adaptation, Cats. He is a wise and beloved elderly cat, further serving as the Jellicle patriarch in the musical. [1] The role of Old Deuteronomy was originated by Brian Blessed in the West End in 1981, and by Ken Page on Broadway in 1982.