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The symbols generally draw inspiration from old ornamental traditions such as duodji and the "runes" of the traditional shaman's drums. The symbols generally don't follow the rules of tincture, as the "Sámi colours" are traditionally placed colour on colour (rather than colour on metal and vice versa).
The symbols were painted with a paste made from alder bark. [5] [21] The motifs on a drum reflect the worldview of the owner and his family, both in terms of religious beliefs and in their modes of subsistence. [22] A world is depicted via images of reindeer, both domesticated and wild, and of carnivorous predators that pose a threat to the herd.
The symbol of the world tree or pillar, which reaches up to the North Star and is similar to that found in Finnish mythology, may also be present. [ 3 ] Laib Olmai , the forest spirit of some of the Sámi people, is traditionally associated with forest animals, which are regarded as his herds, and he is said to grant either good or bad luck in ...
The most famous Parthian art work is the bronze statue of a local prince found in the Iranian province of Bachtiyārī at Shami. It was found by farmers in the remains of a small shrine of Greek gods and Seleucid kings, who eventually became the cult of the gods and also of past rulers.
The Handbook of Tibetan Buddhist Symbols. Serindia Publications, Inc. ISBN 978-1-932476-03-3. Cunningham, Sir Alexander (1962). The Stūpa of Bharhut: A Buddhist Monument Ornamented with Numerous Sculptures Illustrated [sic] of Buddhist Legend and History in the Third Century B.C. Indological Book House. Dalal, Roshen (18 April 2014).
The shaman evokes animal images as spirit guides, omens, and message-bearers The shaman can perform other varied forms of divination , scry , throw bones, and sometimes foretell of future events Shamanism is based on the premise that the visible world is pervaded by invisible forces or spirits which affect the lives of the living. [ 42 ]
The order was founded by Abu Ishaq Shami ("the Syrian") who taught Sufism in the town of Chisht, some 95 miles east of Herat in present-day western Afghanistan. [14] Before returning to Syria, where he is now buried next to Ibn Arabi at Jabal Qasioun, [15] Shami initiated, trained and deputized the son of the local emir, Abu Ahmad Abdal. [16]
The Shami statue is one of the main surviving works of Parthian art. It is currently in the National Museum of Iran (Inv. no. 2401) and was found at Shami (modern Khūzestān Province), where there was an ancient sanctuary. The bronze statue is 1.94 m high. The man depicted is shown frontally.