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Grotesque No. 8 on a metal type specimen sheet Grotesque No. 9 on a metal type specimen sheet. The family of typefaces was sold by number rather than using weight names. Commonly used numbers included: Grotesque No. 5 – condensed; Grotesque No. 6 – wide [12] Grotesque No. 7 – (shown on specimen, above) light condensed; Grotesque No. 8 ...
Class: Grotesque : Century Gothic Class: Geometric : Charcoal (Mac OS 9 system font) Designer: David Berlow: Chicago (pre-Mac OS 9 system font, still included with Mac OS X) Designer: Susan Kare: Adobe Clean - Adobe's now standard GUI and icon font Class: Humanist, Spurless : Clear Sans (Intel) Designer: Dan Rhatigan, George Ryan, Robin ...
Download QR code; Print/export Download as PDF; Printable version; ... This category contains typefaces in the Grotesque, realist sans-serif classifications ...
Download QR code; Print/export Download as PDF; ... The "Included from" column indicates the first edition of Windows in which the font was included. Included ...
Examples of grotesque typefaces include Akzidenz-Grotesk, Venus, News Gothic, Franklin Gothic, IBM Plex and Monotype Grotesque. Akzidenz Grotesk Old Face, Knockout, Grotesque No. 9 and Monotype Grotesque are examples of digital fonts that retain more of the eccentricities of some of the early sans-serif types. [10] [11] [12] [13]
Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. "Akzidenz" indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time.
Bell Centennial is a sans-serif typeface in the industrial or grotesque style designed by Matthew Carter in the period 1975–1978. The typeface was commissioned by AT&T as a proprietary type to replace their then current directory typeface Bell Gothic on the occasion of AT&T's one hundredth anniversary.
Atkinson Hyperlegible contains four styles, each of 335 glyphs: regular, bold, italics, and italics bold.It supports diacritics in 27 languages. [4]Elliott Scott of Applied Design Works and studio creative director Craig Dobie made the decision "to break a lot of rules that a lot of designers will care about", [1] for instance adding serifs to the uppercase i but not the uppercase tee [2] and ...