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Modern knowledge of Taíno creation myths comes from 16th century Spanish chroniclers investigating the indigenous Caribbean culture. Columbus was very much interested in knowing about the religion of the Taínos; In his original letter to the Queen, he expressed the opinion that the natives had no religion whatsoever, however this was an attempt to persuade Isabella that it would be easy to ...
Drawing of a Carib woman (1888) The Kalinago, also called Island Caribs [5] or simply Caribs, are an Indigenous people of the Lesser Antilles in the Caribbean.They may have been related to the Mainland Caribs (Kalina) of South America, but they spoke an unrelated language known as Kalinago or Island Carib.
Some are effigies of birds, snakes, alligators and other animals, [4] but most are human effigies. Even twin human figures are portrayed. [9] Wooden zemis were preserved in relatively dry caves. It is believed that Taíno people hid their ceremonial objects in caves, away from the Spanish, or destroyed them to avoid having them fall into ...
Taíno culture as documented is believed to have developed in the Caribbean. The Taíno creation story says they emerged from caves in a sacred mountain on present-day Hispaniola. [ 27 ] In Puerto Rico, 21st-century studies have shown that a high proportion of people have Amerindian mtDNA .
Taino reenactment in Puerto Rico. The Taíno, an Arawak people, were the major population group throughout most of the Caribbean. Their culture was divided into three main groups, the Western Taíno, the Classic Taíno, and the Eastern Taíno, with other variations within the islands.
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A characteristic of many of the myths is the close relationship between human beings and animals (including birds and reptiles). They often feature shape-shifting between animal and the human form. Marriage between people and different species (particularly bears) is a common theme. In some stories, animals foster human children.
The Taino pantheon of cemís, also known as zemís, play an active role in the lives of humans, and distinguish between the cultural, pleasing human theme and the anti-cultural, nonhuman, foul theme. [25] The term refers to both the spirits and the objects that represent spirits. [26]