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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The three-dimensional orientation of a line can be described with just a plunge and trend. The rake is a useful description of a line because often (in geology) features (lines) follow along a planar surface. In these cases the rake can be used to describe the line's orientation in three dimensions relative to that planar surface.
A horizontal line would have a plunge of 0°, and a vertical line would have a plunge of 90°. [3] [7] A linear feature which lies within a plane can also be measured by its rake (or pitch). Unlike plunge, which is the feature's azimuth, the rake is the angle measured within the plane from the strike line. [3]
Musical set theory provides concepts for categorizing musical objects and describing their relationships. Howard Hanson first elaborated many of the concepts for analyzing tonal music. [2] Other theorists, such as Allen Forte, further developed the theory for analyzing atonal music, [3] drawing on the twelve-tone theory of Milton Babbitt.
Plate tectonics is a theory developed during the 1960s which describes the movement of continents by way of the separation and collision of crustal plates. It is in a sense structural geology on a planet scale, and is used throughout structural geology as a framework to analyze and understand global, regional, and local scale features. [3]
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Pitch is a perceptual property that allows sounds to be ordered on a frequency-related scale, [1] or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. [2] Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre ...
Voice exchange is also used in Schenkerian analysis to refer to a pitch class exchange involving two voices across registers, one of which is usually the bass. In this sense, it is a common secondary structural feature found in the music of a wide variety of composers. [12]