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Troy Book survives in 23 manuscripts, testifying to the popularity of the poem during the 15th century. [12] It was printed first by Richard Pynson in 1513, and second by Thomas Marshe in 1555. A modernized version sometimes attributed to Thomas Heywood, called The Life and Death of Hector, appeared in 1614.
' [a poem] about Ilion (Troy) ') is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the Odyssey, the poem is divided into 24 books and was written in dactylic hexameter. It contains 15,693 lines in its most widely accepted version.
The Epic Cycle (Ancient Greek: Ἐπικὸς Κύκλος, romanized: Epikòs Kýklos) was a collection of Ancient Greek epic poems, composed in dactylic hexameter and related to the story of the Trojan War, including the Cypria, the Aethiopis, the so-called Little Iliad, the Iliupersis, the Nostoi, and the Telegony.
The Laud Troy Book is an anonymous Middle English poem dealing with the background and events of the Trojan War. Dating from around 1400 and consisting of 18,664 lines of rhyming tetrameter couplets, the untitled poem has been given a name reflecting the former ownership, by Archbishop William Laud , of the unique manuscript (Oxford, Bodleian ...
Mlokhim-Bukh (Old Yiddish epic poem based on the Biblical Books of Kings) Book of Dede Korkut (Oghuz Turks) Le Morte d'Arthur (Middle English) Morgante (Italian) by Luigi Pulci (1485), with elements typical of the mock-heroic genre; The Wallace by Blind Harry (Scots chivalric poem) Troy Book by John Lydgate, about the Trojan war (Middle English)
A further impression of the poem's content may be gained from book 2 of Virgil's Aeneid (written many centuries after the Iliou persis), which tells the story from a Trojan point of view. Note that different sources record some details differently: for example the manner of Aeneas' departure from Troy, or the identity of Astyanax's killer. The ...
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The dates of Quintus's life are controversial, [4] but they are traditionally placed in the latter part of the 4th century AD. Way suggests that "His date is approximately settled by two passages in the poem, viz. vi. 531 sqq., in which occurs an illustration drawn from the man-and-beast fights of the amphitheatre, which were suppressed by Theodosius I.